For a while , Gizmodo had been wonder if the$17 K Red On 4 K camcorderwas genuine or just another piece of vaporware . That ’s why we ’re glad to see the camera at NAB 07 in front of our cheek , with documentation from Apple , Peter Jackson , and others . We had a chance to talk with Red One “ Leader of the Rebellion ” Ted Schilowitz , allowing him to calm down our worries about the historically problematic ever - shifting shipping objective dates and 4k funding that may or may not be available at launch . [ Ed.- While I stand by Stephen ’s statement and report 100 % , Ted just wrote in to forebode 4k plunk for out the logic gate . Minor miscommunication aside , this is exciting verification , and we ’re glad for it . ]
[ UPDATE : We apologize for confuse Ted ’s password — His two statements , one on 4k and one on what features would send , were disjoined , not serially linked . ]
https://gizmodo.com/nab07-hands-on-red-one-4k-digital-cinema-camera-galler-252750
We had a chance to see three working Red One cameras in the troupe cubicle . One was connected to a 720p monitor to show the lively output . The other two had working LCD viewfinder as well as film - vogue video ocular view finder that potential fan boys could get all feisty - feely with , and there were plenty of those dweeb getting their glove on the camera .
With all the public lecture of 4 K , we were very surprised the live telecasting was only being shown on a 720p monitor . The response ? There are n’t any 4 K monitors to show the full output . [ Ed.- What about those Sony 4k Projectors below ? ]
According to Schilowitz the first mess of cameras that go out may indeed be lacking certain features and functions , but he would n’t comment on what have those might be .
When inquire if 4 K works , he said yes , but did n’t know if 4 K would be available in the first cameras . [ Ed.- As above , I support by Stephen ’s statement and report 100 % . But Ted now prognosticate 4k Support out the logic gate . Minor miscommunication aside , this is exciting confirmation.][UPDATE : We apologize for bedevil Ted ’s language — His two statement , one on 4k and one on what feature would ship , were separate , not serially link . ]
Will early adopters be jockey ? Schilowitz did say that when the camera starts shipping , possessor can accompany two option way of life ; take the camera as - is and get a free upgrade when all of the features have been enabled , or just expect until the lineament are quick and pluck up the camera then . If they can upgrade a camera from non 4k to 4k for loose , more power to em .
When asked when the photographic camera would transport , Schilowitz underline the fellowship ’s spin on shipping . In his word of honor , Red is an engineering science company that would rather rely on “ target area dates ” than ship dates . When asked the “ quarry date , ” he responded the Red One photographic camera has a target range between the end of April and the in-between part of May of 2007 .
Even if the company establish this target , those eager to purchase one may still have to hold back as the ship’s company has been able to convince 1500 individual and companies to flump down a hefty down payment to reserve one of these mantrap .
In an exploit to put to stay the doubtfulness that this photographic camera is in reality working or merely a Great Pyramid scheme to bilk honest-to-goodness madam from their luck , Jim Jannard ushered visitors into a small movie theatre to show them an 11 - min film shot only with two Red One alpha prototypes he name “ Boris ” and “ Natasha ” .
Sure anyone can crank up out 11 minutes of beauty guess and call it a film , but it is an whole different matter when that 11 - minute motion picture is an original narration piece , written and directed by Peter Jackson . Yes , that Peter Jackson . Jackson invited the ruby crew to Masterton , New Zealand for a two day shoot to capture a WWI story demand a doughboy on the reason , an ace pilot , a picture of a have sex one , a teddy bear , and those accurse Nazis .
We were able-bodied to learn the two cameras only had Run / Stop gun trigger , 180 - grade shutters running at 24fps , memorialize to a Red Drive at 27Mbps and encoded in Red Raw . Not a lot of fancy schmancy at all . The inadequate was projected using Sony ’s 4 thou projector , but as antecedently harbinger , Red is solve on its own line of 4 K projectors and monitor . Jackson adjudicate to skip using the Red lenses in favor of the Cooke S4 24 - 90 millimetre lens with which he was more familiar .
This picture was full of action and drama as only Jackson can deliver , and throughout the piece , we watched tight for telltale signs of artifacting , blow highlights , or fake colour . While a muckle of the story take place on au naturel crap , scenes in the strain presented a full image of colors that proved this camera can capture some very dynamic images .
We noticed some jumpiness during some of the high - action fast - move stroke , but did n’t hump if that was a fault of the television camera , the digital jut , or our hypersensitivity to digital projection . Regardless , those example were very few , and after , we had a fortune to talk for a moment with two cinematographers sitting next to us who were accustomed to shooting on Viper and Genesis cameras . They were both impressed with the result and had no complaints with the technology .
So for now , the Red One camera has moved from vaporware to realism , but with the “ fair game date ” still a month off and the long line for speech , you are n’t belong to be capable to blame one up anytime soon , lease alone at the local Best Buy . But good technical school always trickles down , and we ’re moving in the correct direction with these cameras .
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